In the 1957 Broadway musical, The Music Man, a grifter
masquerades as a boys’ band organizer to sell musical instruments and uniforms
to naïve Midwestern townsfolk. Before “Harold” can skip town with the
money, he falls in love with “Marian” and risks getting caught to stay and
train the local boys. At the end of the production, they are able to play a
barely recognizable “Minuet in G.” As the curtain comes down, the music-hungry
locals cheer the performance and the romance prevails.
For the past several decades, Washington County has
celebrated the work of its own over-the-moon music man, Yugo Ikach. Like the
original, he has brought the joy of music to thousands of local residents. Unlike
Broadway’s music men (originally, Robert Preston and recently, Hugh Jackman) Ikach
has performed his magic across several different local venues.
At California University of Pennsylvania (now PennWest),
Ikach began his career in 2003 as Adjunct Professor of Music. He is now Associate
Dean of Education, Arts, and Humanities. At PennWest he has served as an
Assistant Music Professor, Director of University Choirs, and on multiple department,
and university-wide committees.
Ikach was the Music Director at Immaculate Conception Church
in Washington from 1992 to 2021. He has served on the WQED Multimedia Advisory
Board. Early in his career, he worked in numerous roles with the McKeesport
Symphony Orchestra, at Wheeling Jesuit University, Community College of
Allegheny County, and West Virginia University.
Many local residents first became aware of Ikach’s vast
talents when he assumed the position of Music Director and Principal Conductor
of the Washington Symphony Orchestra (WSO) in 2005. A small but loyal group of patrons were then
attending the four yearly performances. Now, the WSO plays to sold-out
audiences at its latest home in Olin Fine Arts Center at Washington and
Jefferson College.
We have been supporters since Ikach assumed his
responsibilities. It has been fascinating to watch the WSO capture the heart of
Washington County. Ikach knows his patrons well and seeks to deliver
entertainment with fireworks. There is never simply two hours of classical
music that may not be familiar to many in the audience.
Ikach has developed a formula that begins with a theme for
the overall concert. He then introduces those in attendance to several
classical pieces that follow the theme, interspersed with lighter fare. Every
concert contains at least one composition that brings the audience to their
feet because it is both unique, and unexpected. It might be forty-five ukulele
players marching down the aisles, or a fiddler who played with Charlie Daniels
giving us an electrified version of the Daniels’ theme song, or Ikach’s two
daughters belting out the most recognizable hits from the female rock group,
Heart.
With classical music, Ikach always explains the history of
the piece and why he chose the composition. In the beginning, this felt a bit condescending.
But times have changed when it comes to classical music. Now, when we attend
the Pittsburgh Symphony, conductor Manfred Honeck often does exactly the same
thing (with his heavy Austrian accent) to help his younger audience gain an
appreciation for each work.
Ikach’s interests and knowledge encompass multiple musical
genres, from Broadway, to jazz, to rock, and of course classical. More
importantly, he knows accomplished musicians across all musical platforms who
are always eager to show up at one of the concerts and lend a hand. Ikach has
learned that the more local performers he enlists, the better the box-office.
After all, a parent will purchase a ticket every night to see their child
perform in a choir or as part of the orchestra.
The orchestra’s holiday performance, “HO-HO-HO with the WSO,”
has become a tradition as important to Washington County as the Nutcracker
in Pittsburgh. An extra presentation has been added and many additional tickets
could be sold. Each year, Ikach comes up with new holiday music to accompany
the traditional favorites.
My favorite Ikach/WSO story occurred on a night in November
2012 when they performed, on short notice, for a national television audience
on Monday Night Football (MNF). The Pittsburgh Symphony was unavailable so the
WSO rose to the occasion, to play the opening theme song for MNF before the
Steelers took the field. For hours, the orchestra sat under hot lights, in
gowns and tuxedos, until dozens of takes were completed. The footage is still
available on www.youtube.com.
Over the years, I have had the opportunity to discuss music
with our conductor. His knowledge and love for all things musical is
astonishing. On one occasion, I asked for his opinion of the Leonard Bernstein
movie Maestro, starring Bradley Cooper. Ikach proceeded to give me a
mini dissertation on Bernstein and how important his work was to American
music. I had to go back and watch the movie again.
When I asked Ikach how difficult it was to keep a volunteer
orchestra together, he noted that, “the strings are often on a different
political footing than the brass section.” He explained that it works for the
orchestra and for the audience because, “music is a safe space. We are all
united for a common cause. It crosses all boundaries and celebrates our shared
humanity.”
We should all be grateful for Washington’s own music man and
look forward to the unique performances that are sure to inspire us for years
to come.
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